The University of Michigan, located in Ann Arbor, is a globally recognized public research institution known for its dedication to academic excellence, innovative research, and diverse community. The College of Literature, Science, and the Arts (LSA), one of its most prestigious colleges, sits at the heart of the university. As U-M’s largest undergraduate college, LSA offers a rich breadth and depth of study in the liberal arts and sciences. It is renowned for its rigorous curriculum, world-class faculty, and commitment to fostering critical thinking and creative problem-solving. The students in LSA, hailing from diverse backgrounds, contribute to an engaging and eclectic academic atmosphere, providing an enriching setting conducive to intellectual growth and cultural exploration.
Academic: GPA of 3.5 or above on their studies to date
English Language:
– IELTS: 7 (no band score less than 6.5)
– TOEFL iBT: 100 (reading and listening minimum 23; writing and speaking minimum 21)
– Duolingo English Test: 130 (no component less than 120)
26 August 2024 – 18 December 2024
Available Courses
In this introduction to American politics we will explore the foundations of government in the US, the political institutions that govern our society, and the ways in which people interact with the governmen
This course provides a social science perspective on the American presidency. Our objective is to cut through common narratives provided by pundits, politicians, journalists, and the typical voter to understand when presidents are more (or less) likely to influence public policy. Put simply, when (and how) do presidents exercise power? Answers to this question are both complicated and difficult to evaluate.
This introductory course to cultural anthropology seeks to expand students’ understanding about the diversity of the human condition. Cultural anthropologists are united in their commitment to three poles of research: fieldwork, a method based on long-term immersion in a life-world; ethnography, the written representation of peoples, places, and fieldwork experiences; and theory, evolving concepts that anthropologists try to build through their ethnographies to address “big questions” about constantly changing human societies. In this class, we will use these three poles to challenge taken-for-granted assumptions about culture, race, gender, sexuality, kinship, magic, environment, science, and modernity. Using ethnographic accounts from around the world, we will come to understand these categories not as “natural truths” but rather as “social facts” – that is, the result of cultural contexts and historical particularities. We will cover key theoretical thinkers and central themes in anthropological scholarship.
When people say “global health,” they usually mean delivering Western medicine in low-resource settings. This assumes that medicine is a universal good. Is it? Or is biomedicine also a “culture” – with values, practices, and understandings built in a particular place and time? What are medicine’s ethics, symbols, economies, experiences of the body, and politics? What happens when these things run up against other ways of viewing the world? In this course, through scholarship and popular media, and through the instructor’s experiences as a practicing physician and anthropologist, we will explore mind-bending paradoxes about what we assume to be true, explore aspects of medical practice, and describe why those practices often have unexpected results when they travel.
Do you eat to live, or live to eat? If the latter, this course may be for you. As anthropologist Claude Levi-Strauss wrote, the plants and animals around us are not just good to eat, they are good to think with and through. Anthropologists study the human condition in all its forms, including how we evolved as a species, how we communicate, how we lived in the historic and prehistoric past, and how we organize our lives in different parts of the world today. In the realm of food, we thus pay close attention to the ways in which humans hunt, fish, gather, and grow food, how we get enough calories to survive in differing environments, how food helps us to constitute families, religious identities, and other social networks, and even how food comes to be a source and a symptom of social inequality.
This course explores the interlinked categories of rebel, bandit, and freedom fighter to understand insurgency from an anthropological viewpoint. Privileging sociological and micropolitical analysis, the course approaches specific instances of illegal use of force in their socio-cultural and historic settings, and builds toward a consideration of insurgency from “the actors’ points of view”. Through the categories of the rebel, bandit, and insurgent, the course considers broader issues of structure and agency, state power and sovereignty, and definitions of legal and illegal uses of force from the oblique angle of those whose violence is classified as illegitimate.
The long-standing belief that the United States is in some sense a chosen nation has multiple sources. The Puritans hailed the New World as the last refuge of righteousness in a corrupt world, the Framers of the US Constitution thought that their experiment in democracy turned a new page in world history, and later propagandists proclaimed America the land of opportunity open to all races and creeds. The best and most enduring prose fiction written in this country neither accepts nor rejects these native myths but fuses them into one complex response. Bitter denunciations of the American Dream tend to be fueled by a hidden idealism; overt celebrations of the same idea can betray awareness of its tragic costs. In this course we shall trace this ambivalence about an idealized “America” in writing over the past two centuries. Authors to be considered include, among others, Herman Melville, Rebecca Harding Davis, Stephen Crane, Zora Neale Hurston, Don DeLillo, and Louise Erdrich.
This course examines environmental issues as they engage, relate to, ally and contradict with indigenous belongings to land and place in the Pacific Islands, continental U.S., and beyond. We will examine the histories of colonialism and imperialism that set the stage for contemporary formations militarization, tourism, national parks, and genetically modified organisms, issues that engage both questions of sustainability and indigenous political sovereignty.
We will survey in this course the representations of and by Asian American subjects in U.S. cultural production since the late nineteenth century. This course explores the ways in which the cultural and literary production that arises out of the contradictions of U.S. democracy “displace,” in the words of cultural studies scholar Lisa Lowe, “the fiction of reconciliation”—the ways in which the cultural forms of Asian America “disrupt the myth of national identity by revealing its gaps and fissures.”
While languages and cultures have each been described as tight systems of meaningful coherence that reinforce each other, communication in social life is more slippery than that, rife with contradictions and conflicts. People, for instance, may justify hierarchies by referring to linguistic or cultural standards even when doctors or CEOs themselves speak “ungrammatically.” This course surveys research and reflection on language as a part of “culture,” drawing on literature in anthropology, linguistics, and related fields. Included are scholars who see culture as primarily cognitive (and relative) ways of ‘knowing’, such as how people conceive of categories like space and time, or how they classify people and things.
This course offers a close look at contemporary research on Southeast Asia. The emphasis will be on the in-depth understanding gained through long-term anthropological fieldwork. We will read and discuss a selection of ethnographic monographs from across the region. Readings will be chosen from locations in both mainland (Myanmar, Thailand, Laos, Cambodia, Vietnam) and archipelagic (The Philippines, Indonesia, Malaysia, Singapore, Brunei, Timor Leste) Southeast Asia.
Where does American culture come from? What can things like maps, pirates, religious revivals, and even a giant cheese tell us about the making of America? This course will examine culture in the North American colonies and borderlands, and in the newly formed United States in the period before 1876. We will define culture broadly in this class to consider social customs and beliefs as well as more specific forms of literary and artistic expression. We will explore how culture shaped critical elements of American history, including: settler colonialism and indigenous resistance; emerging American identities and constructions of gender, sexuality, race, and class; slavery and abolitionism; democratic practices and religious participation; and changing borders and inhabitants of an expanding United States.
A survey introduction to the critical, theoretical, and historical study of women and gender from feminist and cross-cultural perspectives. Readings range across a wide body of feminist scholarship in order to familiarize students with key questions, theoretical tools, and issues within the field. The course aims to sharpen critical awareness of how gender operates in institutional and cultural contexts, in students’ own lives and the lives of others. Two questions are central to the course: How is gender created and maintained through social practices (e.g., ideology or media representations)?; How do these gendered social practices intersect with other social categories, such as race, ethnicity, class, disability, and sexuality?
This course will examine the long and often overlooked history of Asian Americans in Michigan with particular attention to activist efforts both at the University and off campus.With an emphasis on developing our own public history projects, this course will allow students to explore hands-on learning, and developing skills in the areas of library and web-based research, learning from community-driven research projects, and the ethical questions that such projects raise. In addition to working in campus libraries, the course will feature a number of guest speakers who have led their own community-based efforts to record their histories.
The Office explores the space in which work and business has been centered, the objects and technologies that have shaped and reshaped its functions, and the people that have worked within its walls. Through lectures, readings, and presentations that draw upon the scholarship and insight of a diversity of fields, it offers an object- and technology-centered history of the Western business workplace, and traces the key innovations in the structure and function of the office from Ancient Rome to the Zoom-space. This course will investigate the broad significance of seemingly everyday objects and the people that have used them and trace across space and time the mutual impact, interaction, and interconnectedness of business, technology, and society.
Humans are story-telling animals. From our earliest entrance into language as young children, we are enthralled, inspired, and instructed by stories. Reading a wide variety of examples, we will analyze the elements of the story as a form of communication and entertainment, and we will think through how the form of the story helps us to understand, retain, and analyze our experiences. Assignments will include your written analyses of stories we read as well as the stories you write.
Detroit is a city of stark contradictions. On the one hand, as the original home of the universally beloved black-owned music label Motown, it has become one of the most potent symbols of America’s integrated popular culture, while, on the other hand, the Detroit riots of 1943 and 1967 have made it all but synonymous with black-white racial strife. Once heralded as an “arsenal of democracy,” it nonetheless has a long history of antidemocratic policies and social movements. Although a site of tremendous wealth production and class mobility throughout the twentieth century, it filed for bankruptcy in 2013 and currently has the highest poverty rate of any major American city. How can we make sense of such a place? In this course, we will attempt to do so by turning to the writers, filmmakers, musicians, and poets whose works revolve around life in the Motor City. We will pay special attention to how these authors represent class conflict and race.